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Shure WB98 H/C

61

Clip Condenser Microphone with Gooseneck

  • Ideal for wind instruments and percussion instruments
  • Directional characteristic: cardioid
  • Frequency response: 20 Hz - 20000 Hz
  • Output impedance: 150 Ohm
  • Max. sound pressure level: 143.5 dB SPL
  • With a permanently polarized condenser capsule
  • Integrated clip and gooseneck
  • Click-into-place foam windshield
  • Optionally available interchangeable microphone capsules with various directional characteristics (RPM108 - cardioid characteristic, RPM110 - super cardioid characteristic) these are not included in this item.
  • 4-Pole TQG connector for a direct connection with bodypacks
  • For usage with mixers that feature phantom power the Shure RPM626 is required (Art. 149174 - not included)
  • Weight: 65 g
Available since August 2003
Item number 161533
Sales Unit 1 piece(s)
Clip-On Microphone Yes
Condenser Microphone 1
£199
All prices incl. VAT
In stock
In stock

This product is in stock and can be shipped immediately.

Standard Delivery Times
Delivery free of charge expected between Monday, 17.03. and Tuesday, 18.03.
1

Clip on and rock out!

The Shure WB98 H/C is a condenser microphone specifically designed for miking loud instruments such as brass, woodwinds, and percussion. Its mounting clip allows for quick and secure attachment to the bell of a wind instrument or the rim of a drum, while the flexible gooseneck ensures precise positioning. The Shure WB98 H/C features a uniform cardioid polar pattern, ensuring high gain before feedback and excellent rejection of off-axis sound. Additionally, interchangeable microphone cartridges offer a range of polar pattern options, making it easy to adapt to various recording and performance needs. Designed for use with Shure wireless systems, the microphone requires a Shure RPM626 power adapter for direct connection to a stage box or mixer via a microphone cable. For those needing an XLR connection, the Shure Beta 98 H/C offers a wired alternative.

Shure WB98 H/C condenser clip microphone capsule with gooseneck

Tough as nails

The Shure WB98 H/C is designed to capture high-volume sound sources with precision. For example, a trumpet's powerful sound can be overwhelming up close, but this microphone handles it effortlessly. With a maximum sound pressure level of 143.5dB, it can even deal with extreme audio levels – delivering clarity, depth, and natural detail across its 20Hz - 20kHz frequency range. The WB98 H/C boasts exceptional sound quality while remaining lightweight at just 65 grams, featuring a sleek, compact design that will never detract from the musician's performance. Its cardioid polar pattern effectively reduces feedback, and for increased directionality, the cartridge can be swapped out for an optional supercardioid capsule.

Shure WB98 H/C Condenser Clip Microphone with Gooseneck

By practitioners, for practitioners

Brass players looking for a mic that truly does justice to their instrument's sound will love the Shure WB98 H/C. The compact clip-on mic really shines in live settings – it's quick to attach, lightweight, and unobtrusive. Shure’s practical design choices are evident in thoughtful details like the snap-fit windscreen and the included clamp, which helps maintain a steady gooseneck position. With its high SPL and balanced sound, the WB98 H/C is not limited to brass instruments and performs well wherever its clip can be securely mounted. However, woodwind players should check in advance to ensure a proper fit, especially to see if their instrument's bell is too thick for the clip.

Shure logo on WB98 H/C condenser clip-on microphone with gooseneck

About Shure

The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne – known to many as the "Elvis microphone" – and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.

Stage-ready and built for movement

Brass musicians know the struggle – drift a little off-axis from a stand-mounted mic, and the sound engineer isn't happy. This can make expressive playing and an energetic stage presence difficult. The Shure WB98 H/C offers a practical solution with its clip-on design, keeping the microphone securely in place while allowing for unrestricted movement. The WB98 H/C is equipped with a TQG connector, designed primarily for use with a Shure wireless bodypack transmitter. For wired operation, the Shure RPM626 power adapter is required, which converts the TQG plug to an XLR connection while providing the necessary power. It should be noted, however, that phantom power must be enabled on the mixer for proper functionality.

61 Customer ratings

4.7 / 5

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32 Reviews

K
Good for micing woodwind and brass instruments, but doesn't do well on loud stages
Kambotron 14.08.2021
I tried micing my bagpipe with this for live shows for a bit and the sound is very good.
The issue is, I play in a metal band and the loud stage volume was just a bit too much for this mic to handle. On small stages I had to stand near the drummer, and the cymbals bleeding into the mic was an issue.
I'm still going to rate this high, since the issues were in my particular use case and not a general problem. If you play jazz or classical music and you want a bit more freedom to move, this is great paired with a shure wireless (as opposed to standing in one specific place, so you get picked properly up by the mic on a stand)
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M
Excellent Mic
Matt6153 22.10.2014
I have 3 of these microphones and use them either with a TQG-XLR converter or with the Line6 XD-V55 wireless systems to mic up soprano saxophone and diatonic accordion on stage.

The sound quality is perfect for my needs, it is bright (cuts through) and it picks up the whole range of my instruments (including the lower bass frequencies from the accordion).

The mics are very directional and feedback is minimal, even when the stage sound is very loud (with full drum kit and monitors); a high frequency occasionally feeds when you get too near to a monitor (similar to the AKG clip on series which I used before), but an engineer can easily trap it if it becomes a problem.

My only issue is that the cable is a little flimsy and it could be longer... it would be easy to damage if you trod on it by mistake. This is a shame as the mic / chassis itself seems very durable and the clip is strong. I normally use the included cable tidy to shorten it as much as possible, then clip it into a tougher cable before it hits the floor.
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k
Quality Mics
klonmik 18.09.2019
i have heard so much about it and its true after all ...test it with a friend's transmitter and sound fantastic...i hope with my new BLX14 S8 ,i just order, will sound as good as the other I've tried from my pal...Thanks again Thomann.de ...i will suggested to all people are intresting for mics and odther stuff..like cases, horns, and more...
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J
Micro Shure WB98 pour saxophone
Jean-BaptisteB 23.05.2011
Etant saxophoniste professionnel, je cherchai le meilleur compromis entre solidité, sonorité et prix.
Le son est très neutre, la pince est très bien conçue, et la dynamique au rendez-vous.
Le micro ne larsen vraiment qu'à condition de se coller au retour, ce qui est vraiment appréciable dans des conditions difficiles de concert.
il ne reprend que très peu les sons environnants.
Il est préférable de ne pas l'axer parfaitement sur le pavillon, et de ne pas trop l'incliner vers le pavillon afin d'obtenir un son homogène sur toute la tessiture du saxophone.
Parfait!!
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