This mic looks like a condenser but it's a dynamic/moving-coil type. It *sounds* flat yet the response graph shows something of a presence boost like an SM57, though less pronounced. This mic sounds great on snare if you need an alternative; since it doesn't sound as present and cutting you will hear more of the mids and lows giving you a very full snare sound. If your snare drum is bright this may be helpful. Its specialties are snare, guitar amps, toms, hi-hats and anything you need to mic up close to reduce stage spill on a noisy stage.
The tight hyper-cardioid pattern is the most useful feature. Used on snare you can almost eliminate bleed from the hi-hats. On a loud stage it will help isolate each source from stage spill, and it's very effective.
Personally I love the sound of this mic, through careful positioning you can get the result you need eg. by controlling proximity effect with distance. But if you're used to the brightness of an SM57 or e906 it's quite different on guitar amps. It responds really well to EQ so you can tailor it easily, and that fantastic tight pattern means a cleaner sound.
This great little mic is a versatile tool that an experienced technician can use to get top results, but get ready to hear the difference between common cheap mics and a genuine pro classic!
