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Sennheiser E 906

1588

Dynamic Instrument Microphone

  • "Evolution" series
  • Especially suitable for electric guitar, snare drum, brass
  • Characteristics: supercardioid
  • 3-Position switch: hi boost, flat, hi cut
  • Frequency range: 40 - 18,000 Hz
  • Sensitivity: 2.2 mV/Pa @ 1 kHz
  • Dimensions: 55 x 34 x 134 mm
  • Weight: 140 g
  • Incl. microphone holder MZQ 100 and pocket
Available since February 2005
Item number 178288
Sales Unit 1 piece(s)
Clip-On Microphone No
Condenser Microphone No
Polar Pattern Supercardioid
Microphone Clamp 1
Dynamic Microphone 1
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£149
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Beautiful flat design

The 140g e 906 from Sennheiser, which was specially developed for miking guitar amplifiers, enjoys great popularity due to its very flat design, which allows the microphone to be hung in front of the amplifier only by the cable - saving time and space. But these are not the only reasons: The sound of the Sennheiser E 906 is modern, precise and powerful, the possibilities for sound design are manifold thanks to the switchable presence filter, and in addition, the diaphragm with supercardioid characteristic effectively blocks out ambient noise. The Sennheiser E 906 also looks and works well on percussion and wind instruments. The matching MZQ 100 microphone holder and a case are included.

dynamic microphone Sennheiser E 906

A versatile fella

The dynamic Sennheiser E 906 has a spring-mounted capsule that is protected by a robust wire mesh. The housing of the microphone itself is made of steel. Errors in the positioning of the microphone are near impossible, as the microphone's input side is marked "FRONT". The 3-stage presence switch allows the user to adjust the sound to the respective requirements. The first stage lowers the presence range between 4kHz and 5kHz by about three decibels, the third stage raises this range by about three decibels. Thus, the possibilities to shape the sound according to one's own ideas are huge.

Sennheiser E 906, Anschluss

Simply a great microphone

The Sennheiser e 906 is a high-quality dynamic microphone that offers the user all kinds of possibilities: A switchable presence filter for sound shaping, a flat design for appropriate positioning and extremely robust workmanship for a long lifespan are just the tip of the iceberg. Of course, the sound of the e 906 leaves nothing to be desired - maximum precision, modernity and flexibility are the order of the day. The attractive price-performance ratio makes it equally interesting for instrumentalists recording at home and technicians in the studio.

Sennheiser E 906, Dynamisches Instrumentenmikrofon

About Sennheiser

In June 1945, Prof. Fritz Sennheiser founded the Wennebostel Laboratory, which initially produced measuring equipment. Commissioned by Siemens in 1945, the young company developed the MD-1 microphone, which was launched in 1946. After the development of further microphones, the company was renamed Sennheiser Electronic in 1958. Two years later, Sennheiser introduced the MD 421 dynamic microphone, which is still in production today and still held in high esteem by many sound engineers. Further groundbreaking developments, such as the HD 414 headphones and the classic MD 441 microphone, hugely enhanced the company’s international reputation, eventually making Sennheiser one of the leading manufacturers of microphone and headphone systems in the world.

Flexibility is the operative word here

Sennheiser designed the Sennheiser E 906 specifically to meet the needs of guitar amp miking, so it's hardly surprising that this microphone does a particularly great job at it. Nevertheless, this microphone can be used so flexibly that it also does really well in some other métiers: wind instruments as well as drums and percussion are also easily mastered by the Sennheiser E 906. The switchable presence switch is definitely a very useful, creative tool for drum miking as well, to create special snare or tom sounds.

1588 Customer ratings

4.9 / 5

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764 Reviews

DR
One of my favourite Mics
D Rea 05.08.2020
This is (simply put) an incredible mic. Having spent years using SM57s for a guitar amp application, this was a breath of fresh air. Clear, crisp top and mid range without the nuisance expanding bass response of the 57. The flat head design makes it a great space saver when micing live and the strong clip design means the mic can hang (god forbid) if necessary.

The Supercardioid pattern catches a small touch of the projection of the amp that can give a bit of perceived space and size that simple cardioid mics might miss out on (depending on the quality of the space the amp is placed in). This can be a negative with unwanted rear pickup in small live setups or poor recording environments, so do keep that in mind. I have used this as a snare mic on a couple of occasions and have to say it did a wonderful job. Depending on your preference. the rear pickup can be useful or completely painful depending on genre, style, player etc etc, but definitely opens up options.

I haven't used the Hi cut/boot much, however definitely can be a useful if you have a lot of top end energy you want to deal with before it reaches the desk.

The only thing is that I feel a little conscious when handling it in comparison to something like the 57. But almost a year on , it hasn't failed me yet.

And it even tells you which way is front so idiots like me know where to point it (while giving Sennheiser a little bit of advertising)

Great mic for great money.
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J
Bang for the buck
Jackfisher 04.07.2019
The 906 is my second "serious" microphone and it does what it's spouse to do: mic up my guitar cab.
It's very straight forward, take an XLR cable, plug it into your interface, set it up on you cab and play!
I'm micing a marshall 1x12 with a celestion speaker, going into a focusrite 2i2 2gen, and it just works.
Worked great so far for both clean tones and high gain, it's a jack of all trades but not really a master of all.
If you are looking for something to mic up a cab for metal, I would go with the SM57 which is cheaper, but won't be as good with the clean tones.
There are better mics out there, but not in this price range that will do all that this mic will do, also the build quality is great, it's built like a solid brick, so you don't have to worry about it, Sennheiser really know their stuff, so they make quality gear.
Besides micing up a guitar cab, there isn't much else you can do with it since it is built with a specific purpose in mind, so it does loose in the features department.
Who is this for? For guitarists that want to record gear demos and don't want to spend too much on a microphone.
Who isn't this for? Metal guitarists that just need something to capture a really sharp and heavy sound. The 906 does low to mid-high gain well, an SM57 will do better with the really harsh stuff.
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a
Overall great mic
andi.gal93 19.08.2019
Not a surprise, it's known as a great microphone.

It's extremely versatile, you can use it an a lot of instruments. Mostly I use them on a electric guitar, where it's perfect. But I also tried them on snare, brass instruments,...

Pros: - small
- well built
- 3 way-switch (flat, low cut, high cut)
- price
- brand

Cons: - there are really no any I should mention here (nothing objective, only subjective)

If you are looking for a well built, good sounding, quality microphone to use it any concert, any weather condition, I recommend buying the Sennheiser E906. Worth the money!

Other official specs:
Dimensions
55 x 34 x 134 mm
Connector
XLR-3
Frequency response
40 - 18000 Hz
Weight
140 g
Sensitivity in free field, no load (1kHz)
2,2 mV/Pa
Nominal impedance
350 Ω
Min. terminating impedance
1000 Ω

The only thing, that might be confusing (or maybe only for dumb-asses like me) is the grill orientation. One side of the grill has the logo on it, and the other is black and it says "FRONT" under it. Don't confuse that with the overall orientation - front refers to the front of the mic membrane and the front should be oriented towards the speaker or other sound source! :D
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8
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S
Best mic for guitar cabs!
Szymon 12.05.2017
Sennheiser E906 is the best dynamic microphone I have ever used on a guitar cab. My first mic dynamic mic was SM57 (nothing surprising) because it was recommended to me by many guitarists and studio techs. After using SM57 for a while I've decided to try something else and see how it compares to good old 57. After receiving a package from Thomann (very fast delivery - Well done again Thomann!) I have immediately compared both microphones.
I was expecting it to sound different than 57 but not extremely different. I was blown away when I've heard E906... Warm, full, thick, ribbon-like sound. I'm extremely satisfied with this microphone. Build quality is outstanding and it's very light if anyone cares.
Highly recommended!
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