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22.11 - 02.12

cyberweek-deal

RME Fireface UFX II

36
Thomann Cyberweek Deal

Native Instruments Komplete 15 Select and iZotope Ozone 11 Elements for free!

If you purchase this product by 15-01-2025, you will receive Komplete 15 Select as well as Ozone 11 Elements licences for free on top from Native Instruments and iZotope, this represents a total value of EUR 128,00!

Two-Channel USB-C Audio Interface

  • AD/DA conversion: 24 bit / 192 kHz
  • 30 Input and 30 output channels
  • Digital gain control for all inputs - mic, line, instrument
  • MIC In: Max. +18 dBu, 75 dB gain range
  • DURec function - direct recording to a USB medium
  • Steady Clock FS for maximum jitter suppression
  • DSP with EQ, dynamics and reverb
  • TotalMix FX software - 1800-channel mixer with 46-bit internal resolution
  • DIGICheck software - metering and analysis tool
  • TFT display and volume control
  • Stand-alone operation
  • DC-coupled outputs
  • iPad compatible (class compliant mode)
  • Type: 19" 1 U
  • Includes USB cable

Connections:

  • 4 Mic/line combo inputs: XLR / 6.3 mm jack
  • 8 Line inputs: 6.3 mm jack
  • 2 Line outputs: XLR balanced
  • 8 Line outputs: 6.3 mm jack balanced
  • AES/EBU input and output: XLR
  • Word clock input and output: BNC
  • 2 ADAT inputs and outputs - or 1x ADAT and 1x S/PDIF optical input and output
  • 2 MIDI inputs and outputs
  • Remote input for optical RME ARC USB (Art. 402467 - not included)
  • 2 Stereo headphone outputs: 6.3 mm jack
  • USB 2.0 port
Available since March 2017
Item number 409662
Sales Unit 1 piece(s)
Recording / Playback Channels 30x30
Number of Mic Inputs 4
Number of Line Inputs 12
Instrument Inputs 4
Number of Line Outs 8
Headphone Outs 2
Phantom power Yes
Number of S/PDIF Connectors 0
Number of ADAT Connectors 2
Numer of AES/EBU Connectors 1
Number of MADI Connectors 0
Ethernet 0
Other Connectors No
MIDI interface Yes
Word Clock 1xIn, 1xOut
Max. sample rate (kHz) 192 kHz
Max. resolution in bit 24 bit
USB Bus-Powered No
Incl. power supply Yes
USB Version 2.0
Width in mm 483 mm
Depth in mm 242 mm
Height in mm 44 mm
Connection Format USB port Type B
Included in delivery USB cable, firewire cable, TOSlink cable, software
Zero latency monitoring 1
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£1,777
All prices incl. VAT
In stock
In stock

This product is in stock and can be shipped immediately.

Standard Delivery Times
Delivery free of charge expected between Thursday, 28.11. and Friday, 29.11.
1

36 Customer ratings

4.8 / 5

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features

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quality

22 Reviews

S
Just great
Sonica.be 18.02.2022
I've been wanting one of these ever since I started doing audio. One of my teachers in audio school had one of these and spoke very highly of it.
I looked at other interfaces over the years but this one kept coming up as my preferred option.
Once my trusty Saffire pro 24 started showing age and I felt the need for some more inputs I went for it.
Painfull in the wallet but well worth it, comparing it to other interfaces you get a lot for your money.
Super clean pres with boatloads of headroom, plenty of ins and outs and built like a tank.
Support is just as great as focusrite's and Totalmix is just a pleasure to work with.
I love the little screen on the front so I can check my levels instantly and the autoset function has proven to be super usefull when the artist's dynamics are all over the place.
The onboard effects are very nice and are a big upgrade compared to my previous interface. My monitor mixes are way better now.
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2
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s
For professional quality I would turn nowhere else
scoffey 11.04.2019
I have actually purchased a second one of these as the first has been so good.

For professional quality with regards to signal and hardware robustness it has not faulted me.

One note of caution. If installing drivers and software on mac be aware that after the machine reboots the software must be authorized in System Preferences > Security. This isn't stated in the RME documentation and initially caused us some confusion.
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10
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T
Incredibly good!
Tuxie 21.05.2024
Compared to my old Focusrite Scarlet, I get less than half of the latency at the same buffer sizes, meaning I can use larger buffer sizes than with Focusrite for better VST performance while keeping latency low enough. RME's custom USB driver provides near-thunderbold performance over USB 2, which is impressive.

The UFX II has gotten ALL features of the UFX III added via driver and firmware updates during the last year. Even their decade-old discontinued interfaces continue to get all improvements that their hardware can physically handle. This level of long-term dedication to supporting and improving old hardware is why I won't use non-RME interfaces going forward. Other brands tend to have the attitude that their hardware's feature sets should be locked to what it was at release day and never backport any features, just bugfixes.

The UFX II has also gotten "secret" hardware revisions since its release, adding SteadyClock FS and improved components so if you buy a new (revision 7) UFX II today you pretty much get a UFX III without MADI support.
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4
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W
Top pro interface
WenDaMan 20.09.2022
This is the one and only interface you ever gonna need
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