With our cookies we would like to offer you the best shopping experience possible with everything that goes with it. This includes, for example, suitable offers, personalized ads and remembering preferences. If this is okay with you, simply agree to the use of cookies for preferences, statistics and marketing by clicking on "Alright!" (show all). You can withdraw your consent at anytime via the cookie settings (here)
Note: To prevent ratings from being based on hearsay, smattering or surreptitious advertising we only allow ratings from real users on our website, who have bought the equipment from us.
After logging in you will also find all items you can rate under rate products in the customer centre.
I put this on my Ludwig Epig 16x18 floor tom to try and get rid of some of the "flaappyness" that my previous drum head had, and found that very quickly I could tune it to my preferred tension and get playing. In fact, you could tune it to any tension and get a good sound out of it, the range is so vast you could use it for jazz-highs or punk lows. It needs no dampening at all at any tuning, or at least to my ear, and it's a very good weapon in your studio arsenal for any tom that's either difficult to tune, or hard to EQ, and I've found that it's a lot of fun to work with.
I put this on my Ludwig Epig 16x18 floor tom to try and get rid of some of the "flaappyness" that my previous drum head had, and found that very quickly I could tune it to my preferred tension and get playing. In fact, you could tune it to any tension and get a good sound out of it, the range is so vast you could use it for jazz-highs or punk lows. It needs no
I put this on my Ludwig Epig 16x18 floor tom to try and get rid of some of the "flaappyness" that my previous drum head had, and found that very quickly I could tune it to my preferred tension and get playing. In fact, you could tune it to any tension and get a good sound out of it, the range is so vast you could use it for jazz-highs or punk lows. It needs no dampening at all at any tuning, or at least to my ear, and it's a very good weapon in your studio arsenal for any tom that's either difficult to tune, or hard to EQ, and I've found that it's a lot of fun to work with.
