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Presonus Eris Studio 4

5

Active Studio Monitor

  • Equipped with: 4.5" woofer and 1" tweeter with silk cone
  • LF amplifier power: 25 W
  • HF amplifier power: 25 W
  • Frequency range: 55 - 20,000 Hz
  • Crossover frequency: 2.7 kHz
  • Maximum level: 99 dB @ 1 m
  • Gain-control
  • Midrange control Bell EQ,1 kHz, +/-6 dB
  • Treble control Cow's tail filter, 10 kHz +/-6 dB
  • LowCut switchable at 80 or 100 Hz
  • Acoustic space switch -2 dB, -4 dB
  • Input: XLR and jack (balanced) as well as cinch (unbalanced)
  • EBM Waveguide (H x V): 100° x 60°
  • Auto standby switchable
  • Shielded against HF interference, switch-on delay, output current limiter, overheating, transient and subsonic protection circuitry
  • Dimensions (W x D x H): 178 x 185 x 254 mm
  • Weight: 4 kg
Available since October 2023
Item number 572892
Sales Unit 1 piece(s)
Speaker size 1x 4,5", 1x 1"
Amplifier power per unit (RMS) 50 W
Magnetic Shielding No
Analogue XLR Input Yes
Analogue Input (Jack) Yes
Analogue Input (Mini Jack) No
Analogue Input (RCA) Yes
Digital input No
Manual frequency correction Yes
Frequency range min. 55 Hz
Frequency range max. 20000 Hz
Dimensions in mm 178 x 185 x 254
Weight in kg 4,0 kg
Speaker Hous8ing - Woofer System Bassreflex
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£83
Including VAT; Excluding £10 shipping
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Precise monitoring in a compact design

The Presonus Eris Studio 4 is an active studio monitor from the Eris series, which is equipped with a tweeter and woofer for a frequency range of 55Hz to 20kHz. Delivering an output of 25W per speaker and an impressive sound pressure level (SPL) of 99dB at a distance of one metre, the monitor's special design features an expanded 120° horizontal dispersion to create a broader sweet spot, while the narrow vertical dispersion angle reduces reflections in situ to give precise monitoring. An excellent transient response is also delivered courtesy of the tweeter's silk-dome design, while the woven-composite woofer provides a clear bass reproduction. In addition, flexible connection options at the rear of the monitor allow seamless integration into any setup.

Presonus Eris Studio 4

Expressive sound for every room

In combination with the bass reflex opening, the 4.5" woofer covers the low frequencies of the Presonus Eris Studio 4, reproducing frequencies of 55Hz and above, while the 1" tweeter is characterised by its low weight and delivers a clear transient response. The rear of the monitor is equipped with flexible connection options, above which the sound adjustment options and gain control can be found. Highs and mids from 10KHz and 1kHz, respectively, can be continuously reduced and amplified by up to 6dB to enable suitable integration into an acoustic room, while the low-pass filter setting can be adjusted to 80Hz or 100Hz. The Acoustic Space control filters frequencies below 800Hz by either -2dB or -4dB to counteract any over-emphasis of these frequencies that occurs when the Presonus Eris Studio 4 is placed close to a wall.

Presonus Eris Studio 4, detailed view

Flexibility ensured

The Presonus Eris Studio 4 not only provides the perfect compact solution for studios where space is at a premium, but is also ideal for studios where details in the sound are at the heart of successful productions – a requirement easily fulfilled by the special EBM (Elliptical Boundary Modelled) waveguides, which deliver a superior treble response. The balanced 6.3mm TRS jack, unbalanced RCA jack, and the XLR input at the rear of the monitor also enable flexible integration into any setup. A range of adjustment options, which can also be found at the rear of the monitor, allow the sound to be adapted to the specific acoustic space, resulting in an optimum sound even in the smallest of production areas. In addition to extensive flexibility, integrated protection circuits comprising RF shielding, output current limitation, and over-temperature and subsonic protection functions, ensure that the Presonus Eris Studio also delivers in terms of reliability.

Active studio monitor

About Presonus

Presonus is a US company founded in 1995 by Jim Odom and Brian Smith in Baton Rouge, Lousiana. The firm designs hardware and software at both professional and more affordable levels for musicians and producers. Presonus first made a splash in the mid-1990s with the DCP8, an eight-channel analogue compressor/limiter/gate with fader and mute automation that could be digitally controlled by MIDI. In the early 2000s followed a series of microphone amplifiers and the first audio interfaces for the then-emerging home studio scene. Today, the company's product range includes audio interfaces, microphone preamps, digital mixing consoles, and studio monitors as well as the established DAW software Studio One.

Optimum setup for the perfect sound

The Presonus Eris Studio 4, which weighs in at 4kg, can be installed on a stand or studio table. Produced from vinyl-laminated MDF and featuring rounded edges for an elegant design, the Eris Studio 4 makes an impact in any music studio. For the optimum stereo triangle, two of these monitor models can simply be arranged at a distance of one metre apart and equidistant from the listener, ensuring a 30° angle between both monitors and the listener. Ideally, the monitor should be positioned 20 to 30cm from the wall, but if this is not achievable with the Presonus Eris Studio 4, the Acoustic Space switch can be used to compensate for increased bass caused by reflections. The use of short cable routes is recommended with the Presonus Eris Studio 4 in order to avoid noise interference in the monitor signal.

5 Customer ratings

4.4 / 5

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2 Reviews

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R
Top Allrounder für kleinere Räume/Home Studio
RK95 27.03.2024
Auf der Suche nach hochwertigen Studiomonitoren im Budget Bereich bin ich auf die neuen Eris Studio 4 gestoßen. Zuvor habe ich schon positive Erfahrungen mit Presonus gemacht, da ich bis zum Kauf die Eris 3.5 2nd Gen nutzte.
Das Hauptmotiv der Entscheidung war die Bassreflex-Öffnung nach vorne. (Monitore direkt an der Dachschräge und begrenzte Möglichkeit im Raum zur Verschiebung meines Arbeitsplatzes)
Die Eris Studio 4 bieten einen außergewöhnlich ausgewogenen Klang mit einer beeindruckenden räumlichen Darstellung. Jedes Detail meiner Musik wird klar und deutlich wiedergegeben - vorallem hat mich die Basswiedergabe der kompakten Monitore beeindruckt! Die Bässe+Kicks kommen knackig und sauber (natürlich in Kombination mit Akustikentkopplern) ohne zu dominieren.
Auf der Rückseite der Monitore finden wir Anschlüsse für XLR, Balanced und Unbalanced Kabel (bitte beachten, dass Kabel in zweifacher Ausführung gekauft werden müssen und im Audio Interface verbunden werden), ein eigener Poweranschluss (ein Monitor = ein eigener Steckdosenanschluss), sowie Tuning Möglichkeiten im EQ Bereich für Mitten, Höhen, Low Cut Off und sogar Acoustic Space. Zudem verfügt der Monitor über einen Standby-Modus.
Die Monitore nutze ich schon seit ca. 2 Wochen täglich und bereue es bisher keineswegs. Die Preis-Leistung ist mehr als überragend.
In Kombination mit einem Subwoofer sollte das Setup die meisten Nutzer im Home Studio Bereich mehr als zufrieden stellen.
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F
Lebendige Piano-Monitore
Fridolo 11.11.2024
Was kann man von der Größe her noch auf ein Stagepiano stellen? Da bieten die Eris Studio 4 das Maximum dessen, was direkt auf einem Viscount Legend '70s im Wohnzimmer noch akzeptabel aussieht. Und umgekehrt bieten sie in den unteren Oktaven gerade noch ausreichende Leistung, um wirklich einen lebendigen Klavierklang umsetzen zu können. Es mag ein Kompromiss sein - aber einer, der Spaß macht: Da kommen die Tasten trotz leichter Entkopplung noch ins Vibrieren.
Damit das Ganze funktioniert, müssen die Monitore natürlich aufs Ohr ausgerichtet werden - die Roadworx Monitor Tilt Stands 15x17 cm bringen das ganz unauffällig hin.
Auch die Eris E4.5 BT klingen ganz ordentlich, lassen aber doch etwas an Kraft vermissen - sowohl insgesamt wie auch besonders im unteren Bereich. Sie haben natürlich den Vorteil, dass man beim Üben leicht ein Playalong vom Handy über BT einspielen könnte. Um dasselbe an den Eris Studio 4 zu erreichen, muss ich einen BT-Empfänger an Aux-In des Keyboards anschließen - das ist mir der sattere Klang aber wert.
Ich habe verschiedene wesentlich teurere Lösungen ausprobiert (Genelec, iLoud MTM), deren Klang hat mit dem Sound des Stagepianos aber nicht harmoniert. Bin mit dieser günstigen Lösung sehr zufrieden.
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