Mixing desks, otherwise known as mixers, are the ideal tool for combining different audio signals together, and they can be divided into two basic categories: Mixing desks for live events and mixing desk for studio music productions.
The aim of this buyer's guide is to help you find the ideal mixing desk to suit your needs, as well as giving you a better overview of what criteria to bear in mind when making your choice. Alongside this buyer's guide, important information and tips can be found in our online guide to mixing desks, and of course Thomann's PA department will be happy to provide help and assistance with regard to mixing desks for live events via e-mail at pa@thomann.de or by telephone at +49 (0)9546-9223-35. For any questions regarding mixing desks for studio use, you can also contact Thomann's Studio/Synth/Software department by e-mail at studio@thomann.de or by telephone at +49 (0)9546-9223-30.
What is more, Thomann's 30-Day Money-Back Guarantee ensures a stress-free, no-risk customer experience. What is more, Thomann also offers a 3-year warranty to make sure that customers can enjoy their mixing desk for years to come.
Having made the decision to purchase a mixing desk, buyers are immediately confronted by an endless range of possible choices, which for beginners in particular can quickly become daunting. Thomann's web shop contains a wide selection of digital and analogue mixing desks for musicians and sound engineers as well as mixers for DJs and specialised models such as rack mixers and powered mixers.
Deciding which mixing desk to buy is also not made any easier by the immense range of different price points at which they are available: Thomann's range of analogue mixing desks alone goes from the affordable the t.mix MiniMix 22 all the way to high-end mixing desks that will set you back as much as a small car. This makes it all the more important for buyers to carefully consider beforehand what requirements they are going to have for their mixing desk, and to have a clear idea about the application(s) in which they are going to be using it.
Even the best mixing desk is only as good as the user operating it, which is why it is important for newcomers to this technology to choose a model that is simple and intuitive to use, so they can get to grips with it easily and won't get lost in a myriad of settings and options (which is of course a guaranteed recipe for frustration). The key thing at the start is: Less is more.
To ensure that they purchase exactly the right mixing desk, users should first consider the following questions: Is the mixing desk intended for use in live music applications, for recording purposes, or as part of a DJ setup? And what type and number of signals will the mixing desk need to handle?
If, for example, an ambitious young band is planning to purchase their own mixing desk, they should choose a model with a sufficient number of input channels. A standard band lineup with drums, guitar(s), bass, and vocals can easily require twelve channels - or even more. In this type of scenario, a mixing desk like the Allen & Heath ZED-24 would be a good choice. A more compact mixing desk with four or even just two channels will in turn be perfectly sufficient for smaller lineups as well as for duos and solo artists. Thomann has plenty to offer in this class as well, including the t.mix xmix 1202 FX USB, an affordable mixing desk that even features an onboard effects section. For both of these setups, it is essential for a sufficient number of microphone inputs to be available, and as a general rule, users should not be too sparing with the number of channels.
Users looking for a mixing desk with which to govern a home synthesizer setup will only need a mixing desk with line inputs, in which case models such as the Behringer RX1602 V2 rack mixer are a good option.
- Beginners should prioritise ease of operation
- Affordable analogue mixing desks are an ideal starting point to allow users to familiarise themselves with the technology
- It is essential to have a clear idea of what application(s) the mixing desk will need to cover
- The mixing desk should have a sufficient number of inputs to handle the necessary signals
- If microphone signals need to be processed, a sufficient number of mic inputs will be needed
How extensive is the equaliser section?
- Does the mixing desk have additional outputs (e.g. AUX outs or mix bus outputs)?
- Does the mixing desk have onboard effects such as reverb and echo?
- Is there a USB interface?
Put simply, a mixing desk primarily serves to combine signals from various audio sources and output them as a single signal. To this end, mixing desks are equipped with so-called "channels", to which the incoming audio signals are assigned and which allow the user to adjust the balance between the volume and frequencies of the different signals. Depending on the model in question, mixing desks feature various tools, such as "equalisers", "compressors", and other effects, and the signals that have been processed using these are then routed to the master output or stereo output, where the overall volume can be adjusted. The master output is also referred to as the "sum output" or "master bus", and mixing desks often have so-called "auxiliary outputs" ("AUX outs" or "mix bus outs" for short), which provide extra options such as creating separate, individual monitor mixes for each musician on stage. If the mixing desk has a digital (e.g. USB) interface, the user can also connect it to a computer and, depending on the mixing desk model, record individual channels or the sum output signal via their favourite DAW software.
Mixing desks are generally divided into two categories: Firstly, there are analogue mixing desks, which as their name suggests process the signals in an analogue manner. "What you see is what you get" is the order of the day here, which makes these mixing desks correspondingly easy to use. Digital mixing desks make up the second category, which of course operate entirely digitally and generally come with a number of additional features, but this has the disadvantage of making them more complicated to operate. A range of specialised mixing desks that are optimised for use in specific fields of application are also available on the market.
The most well-known manufacturers of mixing desks for live and studio applications include Behringer, Soundcraft, Allen & Heath, and t.mix, while high-end brands like Audient, Trident, DiGiCo, and Neve offer a range of mixers in the upper price segment.
Why is it a good idea to choose a compact analogue model as your first mixing desk? The advantages of doing this include the clear structure and modest range of functions that such mixing desks provide - these are by no means a reflection of their quality, however! Every mixing desk features a preamp that amplifies the signal to the required level - this function is almost universally referred to as "Gain" and is usually implemented as a rotary control at the top end of the channel strip. Below this, users will generally find the equaliser (or "EQ") section, which in the case of mixing desks in the budget price range are generally basic and can only boost or attenuate a fixed frequency range. Next down from the EQ section, there is normally a so-called "panorama" control, which allows the user to pan the signal to the left or right of the stereo mix. Analogue mixing desks are in no way inferior to their digital counterparts in terms of quality. Users who have got to grips with and can operate this type of mixing desk without difficulty will have a much easier time transitioning to a digital mixer, while also being able to get the most out of the benefits these models provide - the transition is somewhat more difficult the other way around, however, for example due to the fact that digital mixers can have several user interfaces, which means things can quickly get confusing for those not yet familiar with mixing desks. A firmly-established classic among compact analogue mixing desks is the Mackie 1604 VLZ4, which is now into its fourth generation, and a similar model is the Behringer Xenyx QX 2442 USB.
Digital mixing desks boast a significantly higher number of features than their analogue counterparts, and these generally include onboard effects like reverb, echo, and modulation effects. Some desks even feature virtual guitar amps, immensely facilitating the process of recording guitar tracks, and the channel strips of digital mixing desks are usually much more opulent in terms of features than those of analogue models - in addition to the EQ section, for instance, digital mixing desk channels often feature "dynamic tools" such as compressors and noise gates for processing the audio signal. The major advantage of digital mixing desks over their analogue cousins is their ability to store the various settings so that these can be recalled at a later date. This allows the user to create presets for specific channels, or even store entire shows. Digital mixing desks also offer another clear advantage, which is that they can be expanded, e.g. through the addition of extra inputs and outputs. This is achieved by means of an optionally available stagebox, which can be connected to the mixer using a CAT cable (also known as an Ethernet cable). A digital mixing desk can thus easily be used as a multi-channel audio interface. For this reason, digital mixers are the ideal solution for sound reinforcement (PA) applications and for studio use. The well-known manufacturer Behringer offers mixing desks with an excellent price-performance with the X32 Compact model for live applications and the X32 Producer model for studio recordings. Thomann's in-house brand the t.mix in turn also offers the t.mix 24.12, a budget-friendly digital mixing desk that is ideal both for live and studio applications.
Users who are looking for a mixing desk solely for use in sound reinforcement/PA applications may well find that a powered mixer is just what they need. This design includes an onboard power amplifier, meaning that the desk can be directly combined with passive speakers. As with so many other products, customers can also opt for one of Thomann's bundles, such as the Dynacord Powermate 1000-3 Bundle or the Behringer PMP 6000 Bundle, both of which additionally include a multicore cable. Powered mixers are ideal for use with PA systems used in rehearsal rooms, but they are also a good solution for small events.
DJ mixers are another sub-category in the mixing desk family. As their name suggests, these are optimised for use by DJs, and they generally come equipped with both phono and line inputs for connecting turntables and CD players as well as laptops, tablets, and smartphones. An absolute classic in this category is the Pioneer DJM-Series, but more affordable models like the t.mix 201-USB Play and the Behringer DX-626 DJ Mixer are also an excellent option.
Rack mixers are designed to be installed in 19" rack units and represent a space-saving alternative to conventional mixing desks. In practice, these mixers are most commonly used as keyboard sub-mixers in the studio, or as part of fixed installations in live music clubs - where every inch of space counts. Thomann's range of rack mixers includes models such as the t.mix Rackmix 821 FX USB.
Another interesting sub-category in the mixing desk family are the so-called "WiFi mixing desks", which are generally inexpensive to purchase because they are operated exclusively via WiFi connection using a laptop or tablet computer. Thomann of course has a wide selection of these mixers in store, including reliable models like the Behringer X Air XR18 and the Soundcraft Ui16.