Harley Benton TE-52 NA Vintage Series

The sound of Telecasters has never really impressed me but I just wanted one to fill a gap in my collection, which is mainly hollow bodied, (with the exception of a Tokai strat). I play as a hobby so my guitars never leave the house and I really don't demand top-class instruments, although I would certainly be happy to own one! I first researched the options from different makes and suppliers but wasn't impressed with what was on offer for the £200 mark. As I've bought Harley Benton's before, I was confident I could find a Tele at the right price. After comparing them I ordered the TE-52 but to be honest, at just £122 including delivery, my expectations were not that high, despite glowing reviews on the Thomann site and on YouTube. After all, it's a guitar that sells for £113! It was ordered on a Friday evening and received in the UK on Wednesday at 10:00am, tracked all the way.

My first impression was that this was a stunning looking and a very well made guitar. When I checked it over and played it this is what I found:

~ There were no blemishes on the finish and it was pretty perfect.
~ The neck relief was perfect with the strings just sitting above the frets at the 7th fret.
~ The intonation was perfect on 4 strings and slightly off on the D & G strings, which took 30 seconds to put right.
~ The body looks like a 2 piece body, judging from the join at the base.
~ The neck looks like a one piece neck.
~ The dot markers are sitting central on the edge of the fretboard.
~ There was no shielding inside the control panel, pickups and jack socket.
~ The tuners are fine and hold the strings in tune, but I do find there is some slack spots in them,
~ The control panel is 34mm wide so buying a new control panel would be hard to find, (the American version is 32mm).
~ The pickguard is also not a standard American size so it would be harder to find a replacement, to align the 8 screw holes and have a 34mm gap for the control plate.
~ The cavity at the neck position beneath the pickguard is large enough to fit a humbucker or mini-humbucker at the neck. So if you want a new pickup set-up you will need to find the Asian version of the pickguard, (see above).
~ The C shaped neck plays like a dream.
~ The nut is plastic.
~ The neck was seated into the body perfectly, with not the slightest gap.
~ The Roswell pickups sound good enough to me to keep them in the guitar.
~ The guitar strings were slightly corroded.
~ The frets were not polished - so initially no string bending!

I have had the guitar just over one week and I have replaced the bridge and saddles with the Wilkinson compensated brass version. I was just going to replace the saddles but thought it easier to replace the whole bridge. This upgrade isn't really needed but I like my guitars 'just so'. It has had an effect on the sound and it has now, to my ears at any rate, more of a Telecaster 'twang' . While I was at it, I also shielded all the cavities with black shielding paint and replaced the string trees with roller string trees. I fitted a bone nut which was re-cut to eliminate the sharps on the first fret. The strings were initially cleaned up with some WD40 on kitchen towel, which worked fine, but I put another set of 9's on when I replace the bridge. I polished the frets at the same time. If anything the tuners could be replaced, but at a much later time.

This guitar far exceeded my expectations. It's great looking and it was playable straight out of the box. The quality is amazing for the the price paid - if it was twice the price it would still be good value. There are some very small faults but nothing that can't very easily be put right. Most new guitars need properly setting up but this one didn't. Although I fiddled around with it to get it playing exactly how I like it, my upgrades were not really necessary but for the cost involved, I think they are an improvement.

This is my 4th Harley Benton. I've never had anything except the smallest problem with the build quality on HB guitars and this one is about the best I've ever had. So, from being indifferent to Telecasters I am now a convert and I really love this guitar. It's great value and a great player.

I must say that my first and overall reaction on receiving this guitar was one of pleasant surprise. There has been much written about this particular Harley Benton but I wanted to make my own mind up and tried to be objective as I could. I would add modestly that my guitars are all top notch models from premium makers so my bar is set high. What is undeniable is that a so called ‘budget’ guitar has been taken to another level. The wood on the particular guitar I received is excellent. The fit and finish of the component parts impeccable. My tuners are all good and functioned without fault with no issues whatsoever. The pots turned evenly and the selector switch had good resistance. I was surprised too at the fair quality of the hardware. Not perhaps the best money can buy but far from being cheap and nasty that would need immediate replacement.. In respect of the neck, arguably the most important part of any guitar, all good. In fact very good indeed. The profile is more of a medium u shape. The frets were installed perfectly with no low or high spots anywhere on my fretboard. My example played perfectly straight out of the box. Some people may wish to polish the frets but this is a personal thing and not a criticism and on my example certainly not necessary. Perhaps I may give them them a light polish when I eventually need to change the strings. The strings were D’addario 9’s and in perfectly new condition without a sign of rust and rang clear and true. I had a new set ready to install but was simply not necessary. I was impressed by the resonance that I could feel vibrate through the ash body of this guitar. I would add that thought that the action at the factory had been set a little high for my personal preference. I used my allen key and lowered the six saddle screws one complete anti clockwise turn and now for me, was much better. I will fine tune this when I get the time. I’ve read that the TE-52 is heavy but I certainly don’t find this. Certainly not light but prohibitively heavy? No.
I am not going to comment with regards pickups as this is purely subjective and with so many variables. Many purchasers of this guitar will certainly keep the stock pickups and many may change. Voila!
This is a good guitar. I get the impression that perhaps Thomanns have been sensitive to previous criticisms of Harley Benton guitars and have taken these on board and have resolved them with the factory and as I said before, bringing ‘budget’ guitars to another level.

I have been playing for 30+ years and have owned around 40-50 guitars (I lost count) and still own 11, from cheap to custom shop models. This guitar is simply unbelievable for the money. It feels and plays like a guitar 5x or 10x the price. I was skeptical at first, having owned three Bentons prior to this and selling all of them super fast. First was a Harley Benton DC copy of an SG some 7 years ago - which was a "cardboard" disaster. Other two were Strat types, both failing because of pickups and electronics. Mind you, this was years ago and Harley Benton now makes much better instruments. This guitar is a keeper, but It does have it's downsides too.

THE GOOD
Construction quality is great, so is the paint and neck. Electronics are surprisingly good, pickups are simply great. True vintage tele tone both positions and sweet sweet sounds in middle position. PUPs are quite hot! Also very pick attack responsive and volume knob responsive. They sound amazing on my EL84 powered amps, not so much on the EL34 Marshall, where they can sound thin and brittle. EQ fiddling and a good equaliser pedal can fix that though. Pickups sound great through a TS9. Paint job is great, neck is very comfortable to play and very straight. I compared this guitar AB to a J&D tele with upgraded Dimarzio pickups and the difference is light years in favour of the Harley Benton. Coming from a J&D to this TE-52 is like a quantum leap in overall playing experience. I wasn't expecting I'd be saying the Roswells sound better (they sound more telecaster correct) than Dimarzios, but they absolutely do. The ash body looks great and gives the guitar that fast sound attack with crisp mids and highs and tight bass. The sustain is very good, but I imagine it will improve further if I swap the bridge, tuners and nut which is what I plan on doing in the near future.

THE NOT SO GOOD
Guitar is heavy as a mo..erfu..er! I may try to shave off some weight by making a belly carve and arm rest contours. As with almost any mass production guitar (PRS SE excluded), this guitar will require some intermediate luthier skills. Truss rod adjustment, nut adjustment or better nut swap, fret levelling and polishing, fret edge polishing, bridge adjustments are a must on this guitar. Frets are properly seated, but very harsh and uneven. Action way too high, truss rod too loose, nut slots high and uneven. It will take some work, but I can do all of this myself luckily with many years of experience and all the proper tools. But a luthier would easily charge what the guitar costs just for the work. If it makes any future buyers feel any better, my 1500 eur Gibson SG was no different in this aspect.

THE BAD
The only thing really bad (as mentioned by others) are the vintage style tuners, which go out of tune if you so much as look at them in a bad way. These will of course be replaced.

OVERALL
With some minimal luthier skills, new tuners and proper adjustments this guitar is far better than Squiers and can easily rival guitars at 10 times the price. Considering the price I cannot believe this guitar is as good as it is.
Harley Benton have really stepped up their game and I will be checking out some other more expensive HB models in the future...but first I need to sell some of my other guitars

Having recently popped my Harley Benton cherry with the Fusion T EB BK, (which I absolutely adore) , I decided to go try out the TE52, which is one of the really affordable HBs on offer, to see if the quality is comparable across the range, plus the fact that I love T style guitars!
Straight out of the box, the guitar is stunning and (not too) heavy, the finish is beautiful, the grain on my model is really nice, 3 large sections for the body and a 2 piece maple neck, which is chunky, but VERY PLAYABLE (and I have quite small hands for a guy), so don't be put off by people saying the neck is too thick! The setup was ok out of the box, action needed lowering, and I swapped out the saddles for compensated brass ones, but honestly, this is my preference, and I would not consider this upgrade as necessary, as the supplied saddles work just fine; as do the machine heads on my particular model, nice smooth action, holds tune perfectly.
The frets were well finished, like most posters here, they did need a good polish however, but that is all,,,, no sprout or sharp edges on this one, and all the frets are beautifully level: btw, the edges of the fretboard look and feel "rolled in" and is very comfortable, a feature usually reserved for much more expensive instruments!
At some point I will probably swap out the nut for a Tusq, but again, personal preference, as the supplied plastic nut is cut and set perfectly, no issues.
The main thing that has once again impressed me no end, are the Roswell AlNiCo-5 T-style pups, which are a revelation. I have owned MANY T guitars down through the years, I just love em, and have played them professionally and for fun for over 30 years, and I assure you, the sound from the TE52 is PURE TELE! The sustain is amazing (that weight in the body helps) , there is just the right balance of twang, honk and grunt, which is astounding, given the price of this thing; £125 including delivery at the time of purchase!
The TE52 is a comfortable, accurate and pleasing T style guitar to play; something I've realised with both of my HBs is that, more than anything, it's that these guitars are so much FUN TO PLAY! ,plus, with a few minor tweaks you will have an instrument that is going to sound, feel and play like a "F" guitar at a fraction of the price; certainly their MIM or Squier offerings.
Good on you Thomann and HB, keep knocking it out of the park like this, and you'll start giving the "big boys" nightmares! I can definitely see more HBs in my collection!
Rock on!

I've been playing guitar for 50 years, have 11 other electrics inc original USA Fenders, Gibsons, PRS, Patrick Eggle etc. I was knocked out by the overall quality, playability & tones from this budget 'Tele' guitar. The finish, neck, electrics & tone were just excellent. I bought it based on several youtube reviews that were spot on.

I have a 1988 USA Tele Standard & I've played various custom shop Tele's and the pickup tone from these Roswell pickups is blindingly good, especially the neck p/up that sounds better than my USA Tele & the Custom Shop Tele's I've played. A few things to note: these guitars are quite heavy and can vary between 8.5 to 9.5 lbs - mine weighs around 8lb 12 oz. But the neck is superb and makes it amazingly comfortable to play. The stock tuners are serviceable but not great. I upgraded mine to Wilson Deluxe to keep the same vintage vibe but with superior 15:1 smoother tuning. I also had to polish the frets and there were a couple that had to be smoothed down a touch at the ends, but for a guitar at this price point that was no biggie. The chrome 3-piece saddle is fine and intonation was pretty good, but purely out of personal preference I put on Wilkinson brass compensated saddles for more accurate intonation. The only real issue I had with the guitar was that it had microphonic feedback on the bridge pickup. Originally I thought it was the pickup itself and (great service from Thomann) they sent me a replacement pickup. But I found out on 'The Fretboard' forum that it was actually the pickup base plate vibrating - a common theme even on USA Fender Tele's that have the same thinner vintage style base plate. All I had to do was take the base plate off and put some very thin foam or blutac (I used the latter) between the base plate and guitar body, and voila, problem completely fixed! If you should need to do that, you'll need a good power screwdriver as the 6 screws holding the plate are very tight...it will save your wrist and avoid the risk of you ruining the crosshead screws.

Overall this is a terrific guitar, and punches way above it's price-point and it is my go to guitar that's been on my guitar stand almost constantly since I've had it.

My first TE type of guitar having played Gibson Les Pauls for nearly 30 years before trying something new with the Harley Benton CST-24T and was that impressed I thought I'd see what else was on offer. So I have nothing to compare it to with my review.

On taking my TE-52 NA out of its box I was pleased with how heavy it felt. After removing the bubble wrap I found the colour of the body to be very pleasing but the colour of the fingerboard a bit dark in comparison for my taste. More toasted than caramelised shall I say. However the neck is comfortably thick with a satin finish which felt a bit sticky at first. The fret ends show no signs of sprouting and the frets themselves whilst not totally polished have no scratchiness. The Volume and Tone pots feel great but the Pickup Selector does feel a little flimsy. The tuners are a little stiff but responsive and do the job so no real issue. The nut is not great (very minor pings when tuning on a couple of strings) but is set at a perfect height. The action as usual is a tad high but easy to adjust to my taste.

Wait what's this? Brass Saddles? I had to double check the Specs as all the reviews I've seen and read had definitely mentioned chrome with many people swapping them out for brass. I contacted Thomann and they didn't seem sure at first (saying brass might sometimes be substituted in) but after some research on their part they got back to me recently saying it has now become standard. So not only a welcome surprise for me but a big plus for any potential buyers.

Plugging in it sounds fantastic. The pickups are way better than I thought they would sound in all 3 positions suitable for clean, crunchy and surprisingly
high gain sounds (as long as you have a noise gate you can engage for the latter). I was surprised by the range of tones I could get from this particular guitar.

In conclusion Harley Benton have done it again. A well built instrument that looks, sounds and plays like I would expect from a company charging a lot more. There is nothing on this guitar I would change. Along with my previous purchase I can thoroughly recommend this to anyone. Don't be precious about brand names, just enjoy playing a quality guitar.

This guitar rocks. I mean genuinely honestly properly rocks. It's a great sounding, great looking, great playing guitar.

Ostensibly the 52 in the name is because this aims to be close to the spec of a 1952 T-type guitar, in other words the original from which the formula was derived. In that, it succeeds, and does so well.

Obviously, it's vying with many competitors for a place in that crowded market, and despite its low price, it punches well above its weight. You'd need to pretty much add a zero onto the price tag of this guitar before you would see a significant improvement in what you were holding in your hands, and I mean that.

The neck is nice to play, mine came with a reasonable finish to the edges of the frets, and the action was pretty much there. Not sure how Thomann does the setups but this one was good. The strings, which are d'Addario ones (at this price and all!) are well matched to the guitar and felt fresh, recent, and still full of life. The whole combination made this great fun to play straight out of the box. That said, modern guitar players might be a little surprised by the neck itself - it's chunky, but it's supposed to be! This is not a shredding machine, but hey, neither is an original '52.

In terms of build, the transparent finish is pleasant if a little thick, the body is two-piece but with a nice grain, the hardware is good, the knobs are real metal with some weight to them, and the tuners are proper vintage style ones too, which is a nice touch. They aren't branded but they aren't far off what you'd get from a name brand version of the same item. No, they aren't locking tuners but they're not meant to be, neither were the ones on the original '52.

Does it feel like I'm repeating myself a bit here? If so, that's because most of the obvious "complaint points" I could see a typical guitarist coming up with after playing this are simply due to it being faithful to the vintage T-type formula - a simple, no-frills, hard driving twang machine, using components that come close in spec to 1950s technology.

Speaking of twang, the pickups are, perhaps unexpectedly at this price, really good. A warm, bluesy neck pickup, and a gritty, punchy, raw sound at the bridge make for some great choices of tone, and they're spot-on for the money. Proper old-school paired saddles too, which keep that really distinctive pinging bridge tone, unlike many other options at this and several price points above which opt for more modern-player friendly but tone-sacrificing independently intonated saddles. Minus one point because they're not brass, but otherwise everything about the bridge plate and pickups is complaint free and very traditional.

Moving around to the control plate, as mentioned in passing before, the quality "above deck" is good. The switch tip feels nice, the switch itself moves cleanly and firmly, and the knobs are sturdy. The jack socket on the side of the guitar is a plate, not the traditional cup, but this is one modern trait worth rolling with, because, well, it absolutely is an improvement of the one thing that sucks about the original without sacrificing look, feel, or tone. Underneath the control plate, the story is, actually, not bad either. No, you don't get full size potentiometers but there's space for them if you wanted to upgrade later. Otherwise, the soldering and assembly is neat, and the cavity is clean of debris. There's no shielding, but then, the original '52... you know what's coming here.

The pickguard is thick, proper 1-ply, dark black. Only word of warning - it isn't quite the standard size! The control plate is marginally wider than usual, and so the semicircular cutout for it will come up snug on aftermarket guards if that's the direction you go in. Why the control plate isn't exactly standard size, I have no idea. It's a little irritating but not a disaster.

After playing it for several months, mine has exactly two things altered. Firstly, and least obtrusively, the strap buttons. The stock ones are fine but they don't have much taper and they're huge. Really huge. Almost in the region of "you could moor an ocean liner using them as capstans" huge. This meant that some straps didn't "close" as they sat around the base of the buttons since they were just too thick. I swapped them for some vintage replica strap buttons, which have a slightly smaller head and a much more drastic flare, so the strap sits far more securely at the base of the button. Not absolutely necessary, but a personal preference satisfied.

Secondly, and more drastically, I replaced the neck pickup altogether, routing out the body and pickguard to take a vintage type gold-foil, a very different shape and sound to what it replaced. This was not a like-for-like swap to rectify an issue with the stock neck pickup, which was fantastic, rather I bought this guitar intentionally as a platform for this modification. A gold-foil equipped T-type was something I wanted as an option but I didn't want to buy a much more expensive guitar in the first instance to slice up in case I didn't like it. As it stands, this was a better guitar in the first place than the other options anyway!

What am I getting at here? Well, I suppose really it's the versatility of this guitar, particularly the fact that the classic design is easy to upgrade and modify to a player's preferences, as well as its ability to compete in much bigger leagues than its price tag might suggest.

Is it a guitar marketed at beginners? Undoubtedly, and this would be very high on my list of recommendations for a beginner electric player, because it's simple to use, competitively priced, but also a genuinely good option that will last a beginner well beyond where most "starter" guitars can take them.

Does that make it a "beginners guitar"? Not at all, and that's the rub, really. If you are an intermediate or even advanced guitar player looking to scratch that T-style itch, this should be choice number one. Actually, it's good enough that for anyone less than a professional touring musician who can afford to add a zero to the price, it could be guitar number one in general too.

Likewise, it's a fantastic serious modding platform. The price is low enough that it leaves a lot of headroom for other parts in a budget, and what you get in the box is of good enough quality to make those modifications worth doing. Again, an effect of the price for sure, is that you feel confident actually taking on something more major with this guitar than just a like-for-like part swap. Additionally, there's enough modularity in the original formula preserved here to give you options for natural upgrades over time rather than replacing the guitar. For example, you could easily swap out the potentiometers or pickups, even with no prior experience of soldering work (and no better guitar to first get your hands dirty), and see the results of your efforts take shape. The saddles scream out to be swapped for compensated brass ones. This design is one that makes such tasks easy, and although that's not unique to this guitar, the combination of can-do and worth-doing is near unmatched. For not a lot of extra time and money, you could push this guitar even further in the quality stakes. None of this needs doing, there's absolutely nothing wrong with the guitar as-is, but knowing those options are there definitely heightens the appeal.

This guitar then, shines as an example of how far "cheap" or "affordable" guitars have come, and that something great to play and great to hear can be mass produced and available for all. In some ways, that ticks the boxes that the original '50s formula proposed better than anything else.

I bought this guitar after watching some reviews on the internet.
I must say I was very pleasantly surprised. For 160 Euros, you get a chunky heavy and very resonant guitar. The wood is dense, not soft, which I like. The neck is very stable.
I bought this guitar to upgrade it to a high quality instrument.
Mods:
Installed Gotoh tuners, a Gotoh bridge, Gotoh TLB-1 String Ferrules, an Allparts Retrofit Jackplate T-Style, a SwitchCraft jack, a self-made bone-nut, a DiMarzio 3-position switch, a DiMarzio Area Hot T DP421 noiseless bridge pickup, a Seymour Duncan SH-55 for the neck, which balances very well with the DiMarzio, new pots and matching knobs and for less than 600 Euro you have a guitar that sounds better than an entry-level Fender for 750 or higher.

A little bit of criticism: the neck is straight, the fret material is also high quality, but you need to level the frets to make the action acceptable. I know how to do it, people who don't know would need a luthier to give these guitars a professional setup.

I've always liked 50's Telecasters, and after seeing the "In The Blues" review, wanted one of these. I like the thicker necks, and even though I love my Classic Vibe, the thinner neck is the only thing that disappoints me with that guitar. Shane and many reviewers here said that this one had a nice thick neck feel.

This one arrived faster than expected, and upon opening, it struck me as beautiful. The 3-piece body on mine is matched nicely. Man, is this thing heavy, though. 10-1/2 pounds on the scale. Make sure you have a nice wide and padded strap. The weight is all in the body, and it sits perfect while strapped.

First thing I did was feel the neck for thickness, and, unfortunately, this one doesn't feel as thick as I was expecting. It is a little thicker than my Classic Vibe, but not by much. It does have a very nice satin finish on it, that is very slick while playing, and the fret ends are not sharp (not yet anyway), although the bevel put on them is very shallow and further into the fretboard than I would like. Like other reviews have said, the frets themselves are rough, but I think that's just some of the finish from the neck. A few minutes with a fret eraser (or micromesh, or steel wool, etc.) takes care of that. I had to loosen the truss rod a bit to get a little relief in the neck for no fret buzz. the dual action truss rod worked well.

The hardware is not bad at all. The nickle-plated tuners are the vintage style, and work well. 2 were tight, but loosened after turning a few times. The bridge is decent, and I don't mind the 3-saddle. I had no problem with intonating the strings, and didn't have to touch the saddles to set the height yet. One nit-pick I have is that I wish the string ferrules had been recessed in to the back of the body, but they are straight and that is only a preference of mine.

All electronics work as they should, and although I haven't pulled the control plate yet, I know that the switch is one of the cheap pcb-type. It works well, but feels weak. The pickups are ok. The bridge pickup is the better of the 2, and is nice and bright. The tone pot takes care of any shrillness that some may experience. The neck pickup is kind of dark and muddy to me, but that's not my preferred sound. Both pickups are not microphonic, which is great. They take gain well and no squealing.

Just to summarize:

PROS:
Looks great
The neck feels great
No high/low frets and ends are not sharp (again, yet)
Everything works as it should with minimal setup (quality is good)
Price!!!

CONS:
Very heavy body
Neck pickup is dark and muddy

I'm very happy to have this one in my arsenal, and would recommend the TE-52 NA to anyone looking for a Telecaster-style guitar.

Fabulous! In september i ordered the Harley Benton TE-40 TBK...After a brief try-out i decided to send it back and swap it for this TE-52.For the same price. I'v never been happier i did this. Return policy at Thomanna's is very easy and smooth. The TE-52 was'nt available at that time so i waited 3 weeks. It came to Thomann a little more than a week ago. A few days later, after, quality check it was send to me in Rotterdam, Holland on a tuesday. Next day, wednesday in the afternoon, it arrived at my home. The guitar was very well packed. The strings were wrapped with paper too. I immediately fell in love with this wonder. Before, after reading the reviews, i was a little bit worried that this guitar would be too heavy and that the neck would feel too chunky. Non of this is true! It feels very solid yes but no way too heavy. And the neck feels wonderful...like a 50-ies Fender indeed. It feels very well balanced. The TE-52 arrived in tune, Only the high e-string was a little off. Intonation was spot-on.Quality-check did a great job. No sharp fret-ends. My copy has good tuners non of them feel loose or don't work well...the guitar stays in tune.i find the hardware, knobs, switch & bridge material feeling very solid and it doesn't feel cheap at all! I read somewhere that some folks were worried that this guitar is now made in Vietnam...not in China anymore. Well i can tell you the Vietnamese workers know how to make a Fender-style 50-ies Telecaster. The woodwork is beautiful and the glossy finish fits this guitar. Time to plug it in. Wow the sound..i do love both pickups...the twangy bridge and the darker neck pickup. The sound is Fender Tele-quality. Separate and together they sound very, very good. When holding and playing...it's feeling almost as solid & sturdy as my Duesenberg Starplayer special...an amazing guitar costing almost 10 times more.....although a totally different built style guitar. The pleasure i get from playing this TE-52 is on par. it's a fantastic guitar.I own two other HB guitars, The Jazzmaster copy and the Mustang ...i love those two but the TE-52 is in another league i.m.o...Can't wait to start gigging with it.